Introduction
Vietnam escalated. Malcolm X was assassinated in February. The Selma marches. The Watts uprising. Dylan plugged in at Newport. The Rolling Stones released Satisfaction. America was fracturing along fault lines nobody had mapped, and the counterculture was choosing its vehicles.
Into this world came the 1965 Karmann Ghia convertible. Not with fanfare. Not with a press release that promised revolution. Just with the same Italian curves that Ghia had drawn in Turin, the same hand-fitted steel that Karmann had shaped in Osnabrück, and the same air-cooled flat-four that had proven itself in the Beetle. An anti-sports car for people with better things to argue about.

